Joanna Gilman Hyde

"Good Morning, World!"

THIS PLACE IS WILD

If Eye were in an alien

Space ship

I would direct the commander —

Or would I be the commander?

To put the lights on

“Flare”

To settle in for the night

On the high inshore

Seas of

Shag Harbour, Nova Scotia

Where only Time —

That Human Construct —

Would convey My Story

To The Living Souls

Of an injected —

But not rejected —

Community of

On-lookers

THE HARD SELL

My grandfather used to leave

The room

If a television commercial

Was coming on —

He would excuse himself

To go “vomit”

And now his grand-daughter

Contemplates

Dressing herself in black lace

To attend a domestic

Dinner gathering

Where marijuana might be served

 

M(eye) Favourite Literary Passage

from “Lolita” by Vladimir Nabokov, page 267

“I have often noticed

that we are inclined to endow our friends

with the stability of type

that literary characters aquire

in the reader’s mind.

No matter how many times

we reopen King Lear,

never shall we find the good king

banging his tankard in high revelry,

all woes forgotten,

at a jolly reunion

with all three daughters

and their lapdogs.

Never will Emma rally,

revived by the sympathetic salts

in Flaubert’s father’s timely tear.

Whatever evolution

this or that popular character

has gone through between

the book covers,

his fate is fixed in our minds, and,

similarly,

we expect our friends to follow

this or that logical and conventional pattern

we have fixed for them.

Thus X will never compose

the immortal music

that would clash

with the second-rate symphonies

he has accustomed us to.

Y will never commit murder.

Under no circumstances

can Z ever betray us.

We have it all arranged

in our minds,

and the less often

we see a particular person

the more satisfying it is to check

how obediently he conforms

to our notion of him every time

we hear of him.

Any deviation in the fates

we have ordained

would strike us as not only anomalous

but unethical.

We prefer not to have known at all our neighbour,

the retired hot-dog stand operator,

if it turns out he has just produced

the greatest book of poetry

his age has seen.”

 

 

Eye Blew It

Somewhere in my house 1:35am

Tonight I danced

To the 50’s, 60’s & 70’s

But when the DJ asked

“What’s your favourite song?”

Eye couldn’t come up

With a single Hip Hop

Answer

SILHOUETTE IN GREY

My Corner Room 9:42am 

There lies a massive ship

Embanked by the horizon

Between the grey of the sky

And the grey of the ocean

Held by the silver line —

The strip of its own proportion —

Eye couldn’t see it

Otherwise

PLASTER

Somewhere in my house 6:24am

Eye have been shot

Through the hips

Thigh

More than I care to remember

And now I must cry

Out for The Man

Who will bring M(eye) Face

Front & Center

LGBT

Somewhere in my house 7:11am

Somewhere in the dead of night

Eye drempt of a woman with a penis

She was a comely thing —

Sitting in a beige office skirt

In someone’s kitchen

The morning after

SEALED FATE

Somewhere in my house 9:00pm

Eye have left him

In my wake

Awash in a pool

Of questioning

And will not call him names

Though I could —

Eye will not

Call

 

Finished

My Window Seat 7:05am

Now that Stratospheric Universe 

Is framed by Its ancient

Necklace

Eye see The Painting

Through the eyes

Of the dead —

Those cherished

Who are no longer here —

My List?

My Grandparents

My Parents

My Brother

My Uncles

My Aunts

and Guy Tozzoli

Former Director

of The World Trade Center

Who used to call me

by My Last

Name

The Importance of Frame

My Second Floor 7:42am

The tail end of hurricane Jose

Flipped the south east corner

Of STRATOSPHERIC UNIVERSE

And in the darkened wind

I dismantled the trapezoidal concrete blocks

Of my one-and-only flower bed

To reinforce the whole east side

And woke this morning to see

That my heroic effort

From the night before

Enhances the art

And so I will shop for more

Garden blocks

To carry out the remainder

Of my protective frame